The Indian animation landscape is gearing up for its biggest leap yet. In a bold announcement, Hombale Films, the studio behind blockbusters like KGF and Kantara, has unveiled its most audacious project to date — the Mahavatar Cinematic Universe (MCU). No, not Marvel’s — India’s very own mythological counterpart.

What Is the Mahavatar Cinematic Universe?
Produced by Kleem Productions, this universe will span seven animated feature films over 12 years, focusing on the ten avatars of Lord Vishnu, popularly known as the Dashavataras.
The vision is clear: create a sprawling, interconnected mythological world akin to what Marvel did with superheroes — only here, the heroes are divine.
Release Timeline: Epic Unfolds Over a Decade
Here’s the official lineup:
- Mahavatar Narsimha – July 25, 2025
- Mahavatar Parshuram – 2027
- Mahavatar Raghunandan (Ram) – 2029
- Mahavatar Dwarkadhish (Krishna) – 2031
- Mahavatar Gokulananda – 2033
- Mahavatar Kalki Part 1 – 2035
- Mahavatar Kalki Part 2 – 2037
All fims are expected to be released in 3D and five Indian languages, ensuring pan-India appeal.
Mahavatar Narsimha: The Beginning
The first film, Mahavatar Narsimha, will showcase the tale of Hiranyakashyap, who declares himself a god and seeks vengeance against Vishnu. His son Prahlad, a devout Vishnu follower, is saved by the deity in his half-man, half-lion form, Narsimha — a tale symbolic of justice and divine intervention.
The teaser promises a thrilling mix of myth, action, and emotion. But does the animation hold up?
Concerns Over Animation Quality
Despite the ambitious storytelling and universe-building, fans and critics are raising valid concerns:
- Visuals resemble cutscenes from video games made using Unreal Engine
- The animation style feels inconsistent and lacks fluid motion
- Some viewers compare it unfavorably to Chinese donghua, which boast superior animation despite lower budgets
- The art style feels like a missed opportunity, lacking a distinct identity
For a project of this scale, the visuals need refinement if it hopes to compete globally or even match audience expectations shaped by shows like Ramayan (1986) or Baahubali: The Beginning.
Is It Just Rehashing Old Stories?
Another criticism is the lack of originality. While the mythological source material is rich and revered, fans argue that fresh interpretations like Brahmastra offer a more innovative cinematic experience.
Some key questions that arise:
- Why not create new characters inspired by Indian mythology?
- Can mythological adaptations be reimagined with modern themes and perspectives?
The Bigger Picture: Comics, Games & Beyond
The Mahavatar Universe isn’t stopping at films:
- Comic Series: 100 issues are planned, likely to dive deeper into character backstories and lore.
- Video Game – Brahmand: A full-fledged game is in development, potentially expanding the universe into interactive storytelling.
This transmedia approach suggests long-term planning and could draw in younger audiences, if done right.
Final Thoughts: Bold Vision, Room for Growth
The Mahavatar Cinematic Universe is India’s most ambitious animated project to date. It deserves credit for its scale, intent, and scope — something rarely seen in Indian animation.
✅ The release schedule ensures consistent engagement
✅ The themes are rooted in timeless Indian mythology
✅ The franchise model could inspire a new wave of Indian animation
❌ But it must elevate animation standards to global levels
❌ Avoid falling into the trap of rote storytelling
India’s own MCU-style franchise could be a game changer — but only if it chooses innovation over imitation.
FAQ
What is the Mahavatar Cinematic Universe?
The Mahavatar Cinematic Universe (MCU) is an upcoming animated franchise from Hombale Films, covering the ten avatars of Lord Vishnu across seven films, comics, and a game.
When will Mahavatar Narsimha release?
The first film, Mahavatar Narsimha, is scheduled to release on July 25, 2025, in 3D and multiple Indian languages.
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What Happens in the Fantastic 4 Post Credit Scene? Everything We Know So Far

What Is the Fantastic 4 Post Credit Scene About?
After years of anticipation, Marvel’s Fantastic Four is officially launching on 25th July, kicking off MCU’s Phase 6. However, what has truly set the internet on fire is the Fantastic 4 post credit scene — a moment that may change the Marvel universe forever.
According to multiple reports and confirmations, Robert Downey Jr. (Doom) has a 99% chance of appearing in this scene. Director Matt Shakman has also revealed that the Russo Brothers — the legendary duo behind Infinity War and Endgame — are directing this specific post credit sequence.
“They’re amazing at what they do… They’re really good protectors of these characters,” said Shakman.
The Russos reportedly visited the set during production to align their vision with the tone of the film and characters. This scene is not just a cameo but a symbolic passing of the baton, marking a massive shift toward Marvel’s Secret Wars saga.
Why Is the Fantastic 4 Post Credit Scene So Important?
It officially begins Phase 6 of the Marvel Cinematic Universe.
It may introduce Dr doom for doomsday.
It sets up the road to Avengers: Secret Wars.
Fans are especially hyped because of the emotional impact tied to Tony Stark’s return — even in multiverse form — and the heavy creative involvement of the Russos, who understand these characters deeply.
FAQ
Are the Russo Brothers directing the Fantastic 4 post credit scene?
Yes, Matt Shakman has confirmed that the Russo Brothers are directing the post credit scene, similar to their upcoming work on Thunderbolts.
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Amrita Sarkar (pronounced Aam-ri-to), is a content creator, B.Com graduate, CA aspirant, and PGDM student who has discovered a fresh passion for digital writing. With a sharp eye for trends and a deep curiosity for how the internet shapes our lives, Amrito writes insightful pieces on digital media, internet culture, and personal observations. This blog is his creative outlet—where analysis meets storytelling.


Amrita Sarkar (pronounced Aam-ri-to), is a content creator, B.Com graduate, CA aspirant, and PGDM student who has discovered a fresh passion for digital writing. With a sharp eye for trends and a deep curiosity for how the internet shapes our lives, Amrito writes insightful pieces on digital media, internet culture, and personal observations. This blog is his creative outlet—where analysis meets storytelling.